Dewey Crumpler’s current work examines issues of globalization/cultural co-modification through the integration of digital imagery, video, and traditional painting techniques. He states that “My Visual Rhythm series examines powerful structures that frame social, political, and spiritual interpretations. I also explore the malleability that leads to empowerment and liberation. Through recontextualizing symbols, such as the tulip, container ships and top hats, I examine the ways in which Black consciousness is transforming time and space.”

“In the 19th and 20th centuries, the top hat was a symbol of intelligence and means. Mimicking this symbol of white sophistication, ex-slaves developed a dance called the Cakewalk which transformed this elitist symbol into an avenue for mockery. This dance was adapted by whites, unaware of its sarcastic intent. This started the dance craze that led to the Lindy Hop and the Charleston. My series is also influenced by rhythm and blues, rock and roll, bebop, hip hop, and jazz greats, including Miles Davis, Thelonious Monk, and John Coltrane.”

Crumpler’s recent exhibitions include The Armory Show, New York City (2021); Possessions: Spirituality, Frieze London (2020); a solo exhibition at Derek Eller Gallery, New York City; and a 15-year survey exhibition at the Richmond Art Center in Richmond, California.

He was born in San Francisco and lives and works in Berkeley, California.

deweycrumpler.com